We visualize spaces that do not exist yet.

Architectural visualization is the craft of showing a building before it is built: photoreal exteriors and interiors, aerials, 3D floor plans, 360° tours and animation, all produced from the drawings and models the design team is already working in. It is used to win approvals, raise finance and sell units off-plan. In practice a project is rarely one picture. It is a set, and the value comes from every image in that set agreeing with the drawings and with each other.

Per project, never per image, because a single room and a forty-image development set are not the same job. The drivers are the number of views, how complex the scene is, how ready your files are, the output resolution and how much art direction the images need. One hero view is the cheapest way to start; further angles of the same building cost less, because the scene is already built. Send the drawings and you get a fixed number in 30 minutes, not a range.

A single view or a pair of images is about a week. Medium and large sets run two to three weeks. The clay stage lands within days of the brief, and the first photoreal preview follows shortly after, deliberately early, while the light, the materials and the styling can still be changed cheaply. Deadlines drive scheduling, so tell us the date you actually need.

Whatever you already have. CAD, PDF, SketchUp, Revit, ArchiCAD, 3ds Max, or a photograph of a hand sketch. You do not need a tidy file set to get a price, and you do not need to prepare anything for us first. If something essential is missing we tell you what it is when we quote, rather than discovering it halfway through.

You do. Full usage rights to every delivered image are included: brochures, portals, hoardings, press, social, planning submissions, as long as you like. There is no separate licence to buy later and no per-use fee. 4K is standard; larger crops for print are available on request.

Two rounds, and in practice we keep going until it is right. The reason it rarely takes more is the clay stage: the camera is agreed on an untextured model before any expensive work happens, so the arguments that usually cause late, costly revisions (wrong angle, wrong framing) are settled first.

Yes. 1,231 projects across 17 countries, most of them remote: Nordic and Baltic developers, UK and European architects, and clients in the US, Canada and Australia. Everything runs on files and video calls, so where the building is has no bearing on how the work is delivered or what it costs.

Yes, and it is worth saying up front. Send reference images (your own previous renders, a competitor set, a photographer whose light you like) and we art-direct to them. Studios differ far more in styling and light than in software, which is why matching an existing look is a briefing question rather than a technical one.