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Elis Kostabi
Chef de projet
Property marketing renders,
cut to every channel you booked.
3D rendering for property marketing teams and the agencies they hire. One scene, built from the architect's drawings, then cut to the hoarding, the portal listing, the brochure spread and the paid social, under your brand rather than ours.
- White-label by default: no watermark, no credit line, NDA without being asked
- Every ratio on the media plan cut from the one scene, safe areas kept clear
- Full usage rights included, one fixed quote in 30 minutes
We only take a limited number of projects each month, so every scene gets top quality.
What a campaign actually orders
A launch does not need images. It needs one scene, re-cut.
A hoarding, a portal listing, a brochure spread, an email header, a 4:5, a 1:1 and a website hero three times wider than it is tall.
Commission those as seven separate images and you get seven pictures that do not quite match. Build one scene and every one of them is a crop of the same evening, with the same sun on the same building.
So the camera is set once, knowing what has to come out of it. A 21:9 header and a 4:5 for paid social are not the same picture, and a frame composed for one of them loses the building in the other. We frame the master with both in mind, leave headroom where the logo lockup and the strapline sit, and keep the horizon where a square crop still has ground under it.
The second thing that follows is cost. Because what exists is the scene rather than the pictures, phase two, a winter version, or the extra format your media buyer added in week three are re-renders of something already built. That is the cheapest kind of change in this craft, and it is why a launch is quoted per project rather than per image.
What you get out of it
Three problems this actually solves.
01
The deadline is the campaign's, not the studio's
Hoardings print on a date. The portal listing goes live on a date. The media is usually booked before anybody has seen a single image, which is the constraint we quote against. Send the drawings and you get one fixed price and a delivery date within 30 minutes, so the line item can go into the plan before the scheme has even been approved.
An untextured clay view lands within days, which is where the camera and the hour of the day get agreed while moving them still costs nothing. Two revision rounds are included, then refinement until you sign off.
02
It ships under your name, not ours
White-label is the default rather than an upgrade. No watermark, no credit line, no logo in the corner, and nothing published anywhere without your written permission. We sign an NDA without being asked, because an unannounced launch is commercially sensitive long before it is a campaign.
How visible we are is your call. Usually we are a supplier your client never hears about. Sometimes we join a call under your brand to answer a technical question about what the drawings do and do not support. Either is normal, and files arrive named the way your asset library expects them.
03
Rights that outlive the campaign
Full usage rights come with the delivery: print, out of home, the portals, paid social, the brochure and your client's own site. There is no per-channel licence to renew, and extending the campaign into another market or another language does not start a second conversation about what you are allowed to run.
The scene stays built on our side as well. When phase two arrives, or the developer wants the same block in snow because the launch slipped to January, that is a re-render rather than a rebuild, and it is priced like one.
What we make
Four asset families a launch actually orders.
Most campaigns want all four, which is why they are quoted as one project.
The launch hero
The one frame the campaign hangs off: the approach, at the hour the building is best in, framed so the hoarding, the site header and the 4:5 are all crops of it rather than three commissions.
The unit set
One interior per apartment type, so a buyer sees the layout being sold to them. Same light and same palette across the set, so page four of the brochure still reads as the same building.
Amenity and lifestyle
The gym, the residents' lounge, the roof terrace, the courtyard. The shared parts carry the price per square metre, and they are usually the last thing anybody remembers to commission.
The listing set
3D floor plans, cutaways and 360 tours for the portal and the sales suite. The small assets that do the closing after the hero has done the attracting.
Why people stay with us
A studio partner, not a render farm.
European delivery, workable time zones
An Estonian studio working since 2013 across the Nordics, the Baltics, Europe, the UK, the US, Canada and Australia. Comments in the evening, a revised frame by morning.
Confidentiality as standard
Unconsented schemes, competition entries and unannounced launches are commercially sensitive. We work under NDA without being asked and never publish a project without permission.
You brief the artist, not a queue
No account-manager layer. Send the files, get a real number, talk to the person building the scene. Fewer hand-offs is why the first preview lands closer to right.
One consistent visual language
Across a set, or across years of repeat work, the light, materials and camera discipline hold. Ten freelancers cannot do that, and it is visible on page four of a brochure.
How a project runs
Four stages, whatever you commissioned.
Brief
Brief and fixed quote
Upload CAD, PDF, Revit, SketchUp or a photograph of a sketch. We build the brief from your files, so there is no questionnaire, and reply with one fixed per-project price and a delivery date within 30 minutes.
Days 1-3
Camera and clay
The building goes up as untextured geometry and the camera is placed in it. Standing point, lens, height and the hour of the day are settled on a grey model, which is the cheapest moment in the project to change any of them.
Week 1
The same view, finished
Materials, real light and the context around it. Deliberately early, while the light and the finishes can still change cheaply. Two revision rounds are included and in practice we keep going until it is right.
Delivery
The rest of the set
Every further view comes off the scene already built, which is why the second image of a building costs a fraction of the first. 4K as standard, larger crops for print on request, full usage rights.
Selected work
Launch sets, not one-off pictures.
Residential schemes in Estonia, Finland and Norway. Client names are withheld wherever the launch was under NDA, which is most of them.
What you provide
How we plug into your workflow.
Being the half of the pitch nobody sees is normal for us, so working behind an agency's brand takes no special arrangement.
What we accept
DrawingsCAD, PDF, Revit, ArchiCAD, SketchUp, or a photograph of a sketch. Whatever the architect already sent you
The media planThe ratios, the pixel sizes and the live dates. Framing is decided from this, not after it
Brand assetsLogo lockups, safe areas, type and palette, so headroom is left where the strapline will sit
SpecificationCladding, glazing, kitchens and floor finishes, or the mood board you sold the scheme on
File namingHow your asset library expects things named. We deliver in your convention rather than ours
What you receive
Master frames4K as standard, larger for print and out of home
The crop setEvery ratio on the media plan, cut from the same scene, with the safe areas kept clear
One visual languageOne light, one palette and one camera discipline across the set, including the frames added later on
Usage rightsFull rights included: print, out of home, portals, paid social and your client's own site
The sceneKept on our side, so phase two or a season change is a re-render rather than a rebuild
The rest of the launch kit
What else comes off the same model.
Exterior rendering
The facades and streetscapes a campaign leads on, in real context and real light.
Exterior rendering
Interior rendering
Show apartments and amenity spaces, one per type, matched across the whole set.
Interior rendering
3D floor plans
Plans and cutaways for the portal listing, the brochure and the sales suite.
3D floor plans
Questions we get asked
Property marketing FAQs.
Do you work white-label under our brand?
Yes, and it is the default rather than something to negotiate. Nothing carries our name, our watermark or a credit line, and nothing is published anywhere without your written permission. We sign an NDA without being asked, because an unannounced launch is commercially sensitive long before it is a campaign.
Which crops and ratios do you deliver?
The ones on your media plan. Send it with the brief and the master frame gets composed knowing that a wide site header, a 4:5 for paid social, a square and a tall portrait for print all have to come out of it. A ratio added mid-campaign is cut from the same scene rather than photographed again.
Can you hit a date the media is already booked against?
Usually, and if we cannot you will hear it at quote stage rather than halfway through. The reply comes back inside 30 minutes with one fixed price and a delivery date, so you know before you commit the spend. A single hero view is about a week. A launch set of six to twelve images runs two to three weeks.
What usage rights do we get?
Full usage rights, included in the project price. Print, out of home, hoardings, the portals, paid social, the brochure and your client's own site. There is no per-channel licence to renew and no expiry date to diary.
How is it priced?
Per project rather than per image, because a launch is a set and not a stack of unrelated pictures. The drivers are the number of scenes, how complete the drawings are and how much art direction the set needs. Further crops and further angles of a scene that is already built cost markedly less than the first frame. You get one fixed number and a date within 30 minutes of sending the files.
Can you match a look we have already sold to the client?
Send the images rather than describing them. Matching a real reference frame, its light, its palette and its camera height, is a solvable problem. Matching an adjective is not. If the reference is photography of a finished building, say so early, because the honest answer is sometimes that the scheme as drawn will not look like that.
What happens when the scheme changes after the campaign is live?
The scene is kept, so a revised balcony detail, a changed cladding colour or a lost storey is a re-render of the existing set rather than a new commission. That is also how phase two, a winter version or a set for a second market gets made, and it is why the second order on a scheme is cheaper than the first.
Do you work with the developer directly, or only through us?
Either. Where an agency holds the relationship we stay behind it and every file goes to you. Where a developer's in-house marketing team runs the campaign themselves, they brief us directly. Both are normal, and neither changes the process or the price.
Start a project
Send your files, get a fixed quote in 30 minutes.
Whatever stage you are at. No budget dropdown, no discovery call first.
We take a limited number of projects each month.