👋 ¿Necesitas servicios 3D?

¡Hola! Hablemos de tu proyecto. Our 3D specialists will contact you in 15 minutes!
Elis Kostabi
Jefe de proyecto
An agency lives or dies on the click-through rate of a thumbnail, and an empty room photographs badly no matter who takes the picture. We furnish it, renovate it, or build it from the developer's drawings, and hand back images you own outright.
We only take a limited number of projects each month, so every scene gets top quality.
Send photographs of the property as it is. You get the same rooms back furnished, lit and dressed, from exactly the position the photographer stood in.
Because the camera does not move, the before and the after line up frame for frame. The vendor can see what changed, and the buyer who walks in recognises the room instead of feeling sold to.
That constraint is most of the job. Staging that quietly widens the lens, straightens a wall or loses a radiator flatters the picture and ruins the viewing, and a buyer who feels the photograph lied does not come back with an offer. We match the lens, the camera height and the light already in the photograph, then put in furniture scaled to the room's real dimensions.
It is faster and very substantially cheaper than physical staging, there is nothing to deliver or collect, and the flat can be restaged for a different buyer profile without moving a single piece of furniture. A family scheme and a young professional scheme out of one shoot is normal.
An empty room reads as small and cold in a thumbnail. A tenanted one reads as somebody else's home. Both cost you the click before anyone reaches the description, and neither is fixed by a better photographer. Staging fixes the picture without touching the property, so no tenant is asked to move and no vendor is asked to spend before the listing goes up.
Restaging is cheap once the scene exists. A family layout and a two-bed-plus-study version come out of the same photograph, without a second shoot.

Where a property needs work, the honest sell is showing what it becomes rather than asking a buyer to imagine it. The proposed refurbishment is rendered onto the structure that is standing, so the wall positions, the window openings and the ceiling heights stay the ones a surveyor will find.
That turns a discount property into a project a buyer can price. The same images work on the other side of the conversation, for the vendor deciding whether to renovate before selling, which is a discussion an agent usually has with nothing to point at.

For off-plan and pre-completion stock there is no photograph to work from, so interiors and exteriors are built from the developer's drawings instead. Plans, sections, elevations and the finishes schedule go in, and a listing set comes out that matches what will actually be handed over.
3D floor plans let a buyer read the layout in two seconds instead of decoding a technical drawing, and a 360 tour lets a remote or overseas buyer walk the unit before booking a flight. Both come off the same model as the stills, so the second output costs far less than the first.

Most instructions use two or three of these on the same property, and they are quoted together rather than one at a time.

Your photograph, furnished. Living room, kitchen, bedrooms and terrace, in a scheme picked for the buyer you are aiming at rather than a showroom look that fits nobody.

The refurbishment rendered onto the building that is standing. Same walls, same window openings, same ceiling height, so the figure a buyer works out is one they can hold you to.

Coloured, furnished and drawn to the real dimensions, including the dollhouse cutaway. A buyer reads the flow of the flat in a glance instead of counting doors on a black and white plan.

Built from the developer's drawings for stock that is still a hole in the ground. The set that has to carry a launch until the show flat opens.
An Estonian studio working since 2013 across the Nordics, the Baltics, Europe, the UK, the US, Canada and Australia. Comments in the evening, a revised frame by morning.
Unconsented schemes, competition entries and unannounced launches are commercially sensitive. We work under NDA without being asked and never publish a project without permission.
No account-manager layer. Send the files, get a real number, talk to the person building the scene. Fewer hand-offs is why the first preview lands closer to right.
Across a set, or across years of repeat work, the light, materials and camera discipline hold. Ten freelancers cannot do that, and it is visible on page four of a brochure.

Upload CAD, PDF, Revit, SketchUp or a photograph of a sketch. We build the brief from your files, so there is no questionnaire, and reply with one fixed per-project price and a delivery date within 30 minutes.

The building goes up as untextured geometry and the camera is placed in it. Standing point, lens, height and the hour of the day are settled on a grey model, which is the cheapest moment in the project to change any of them.

Materials, real light and the context around it. Deliberately early, while the light and the finishes can still change cheaply. Two revision rounds are included and in practice we keep going until it is right.

Every further view comes off the scene already built, which is why the second image of a building costs a fraction of the first. 4K as standard, larger crops for print on request, full usage rights.
Agency and developer work from the Nordics and the Baltics. Some of these frames started as a photograph and some started as a drawing, and on a portal they sit next to each other.






Most agencies send a phone-camera set and a plan PDF and nothing else. That is enough to start, and enough to get a price.

Furnishing an empty photograph, residential or commercial. The craft on its own.
Virtual staging
Coloured, furnished plans and dollhouse cutaways for portals and brochures.
3D floor plans
A walkable panorama of a unit that is empty or not yet built, for a remote buyer.
360 virtual tours
Photoreal room sets built from drawings, when there is nothing yet to photograph.
Interior rendering
Whatever stage you are at. No budget dropdown, no discovery call first.
We take a limited number of projects each month.