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Elis Kostabi
Team lead
3Dstudio.co
3D rendering for interior design, built from your finishes schedule, not a stock library. See the scheme at full size, in the room's real light, before you order anything.
We only take a limited number of projects each month, so every scene gets top quality.
Architects, developers & interior designers
Working for 215 companies since 2013
125 of 220 clients came back
More than half of our clients have hired us again
Interior design rendering is only worth anything to a designer if it survives contact with the schedule.
Your finishes list, your FF&E spec, your joinery drawings. That oak, that slab, that tile at that grout width. Where a material has no reliable reference we ask for a photograph of the sample instead of guessing, and if one is still approximate we tell you which one before you present it.
Most suppliers work from a mood board and a library of stock materials. It presents well, and then the sample arrives and the veining is wrong, the sheen is wrong, and the client remembers the picture rather than the schedule. That is an expensive conversation and it is always the designer who has to have it.
Working from the schedule costs an extra pass at the front of the job and removes the argument at the end of it.
A studio rarely has every fitting confirmed when the first image is needed. We build an open item as a placeholder and flag it, so a scheme with open decisions still gets one full image, on the date the meeting is booked for.
A rejected sample board means new boards. A render that gets a note in the same meeting means adjusting a scene that already exists, inside the revision rounds already budgeted for: the saving of moving 3D rendering for interior design earlier.
See signed-off schemes below.
A sample board asks a client to assemble the room in their head, and most cannot. They approve the board, then react to the finished space, and that reaction lands after the joinery is ordered. A full-size image moves it into the meeting, where changing your mind is free.
We render the two angles a client will argue about: the one they see from the door and the one they sit in. A disagreement that can be pointed at gets settled in a sentence. A disagreement that has to be described takes another round.

The worst sentence on a handover is that this is not what the picture showed. It happens when a render used a generic oak instead of the board on your schedule, and it lands on you, not on whoever made the image.
So the model is built to the schedule and we tell you what each surface was made as. If a finish cannot be matched honestly we say so before rendering rather than substituting something close and letting the site find out.

The scene stays built after delivery. A second colourway, a darker stone, the sofa the client saw somewhere else: all of it comes off a model that already exists, so a variant costs a fraction of the first image.
That protects the fee as much as the schedule does. When a late change is cheap to produce it stops being a negotiation about scope and becomes a normal part of presenting.

Briefs from a design studio are usually one of these, and often two of them in the same project.
The room from the angles a client judges it on, lit to the hour they will use it in. Enough of the space to read as a place, not a catalogue shot of a sofa.
The same room in two or three material directions, cut from one scene and lit identically, so the client is choosing between schemes rather than between photographs.
Wardrobes, islands, panelling and built-in storage at the distance a client inspects them. Shadow gaps, handle positions and door swings as the drawing has them.
Hotel rooms, restaurants and workplace fit-outs, where one scheme repeats across a floor and has to clear an operator as well as an owner.
The same finishes-accurate scene earns its keep before and after the presentation meeting too.
Early on, the brief is direction, not decisions: warmer or cooler, panelling or plaster. A loose, styled image settles that in one meeting.
The point most studios call us for: the scheme built to your finishes list, for the meeting that decides the joinery order.
A second colourway or an awards submission comes off a model that already exists.
An Estonian studio working since 2013 across the Nordics, the Baltics, Europe, the UK, the US, Canada and Australia. Comments in the evening, a revised frame by morning.
Unconsented schemes, competition entries and unannounced launches are commercially sensitive. We work under NDA without being asked and never publish a project without permission.
No account-manager layer. Send the files, get a real number, talk to the person building the scene. Fewer hand-offs is why the first preview lands closer to right.
Across a set, or across years of repeat work, the light, materials and camera discipline hold. Ten freelancers cannot do that, and it is visible on page four of a brochure.
Ask what happens when a finish has no exact match on file. A close substitute instead of a flagged approximation means the schedule and the picture disagree once the sample arrives.
An unannounced scheme needs an NDA before the first file is sent, not after you ask for one. A studio that needs asking tells you how the rest of the relationship will run.
A model discarded once the invoice is paid makes your next colourway a new commission at full price. Ask whether it is kept, and for how long.

Upload CAD, PDF, Revit or SketchUp files, or a photo of a sketch. We prepare the brief from your files, so there is no questionnaire. You get one fixed project price and a delivery date within 30 minutes.

We build the 3D model without materials and place the camera. The viewpoint, lens, height and time of day are agreed on this grey model, when changes are quick and cheap.

The same view with materials, lighting and surroundings added. You see it early, while the light and the finishes can still be changed easily. 2 revision rounds are included, and we keep refining until you approve.

The approved image, fully finished and delivered in 4K, with larger sizes for print on request and full usage rights. Every further view in the set uses the scene already built, so each extra image costs much less than the first.
Rooms from design studio and developer projects across Europe and the UK. Names are left off because most of this was made under NDA.






Priced per project, not per image. This is what changes the number for a design studio's scheme.
The first room carries the scene build. A second room costs less, because the workflow is already set.
An open decision costs a little more than a locked one, because we build a placeholder and flag it rather than guessing.
A second material direction off the same scene is a fraction of the first image's cost.
What moves the quote, and what to send to get it fast.
Opens the upload form. Send what you have; no sales call.
Send what a design studio already produces. A set of plans and a half-finished schedule is enough to quote from, and nothing needs tidying up first.
The service itself: what it covers, what drives the price, what a full set looks like.
Interior rendering
The layout drawn so a client can read it, furnished in the scheme you are proposing.
3D floor plans
A 360 panorama the client can stand inside on a phone, made from the scene already built.
Virtual tours
Furnish a photograph of the existing room, for a refurbishment pitch before anything is modelled.
Virtual stagingThe questions we are asked most before a project starts. Still unsure? Send the drawings and we will tell you what we would do with them.
Ask us directly
Design studios: one number and a delivery date within 30 minutes, built from the finishes list you have already written. Tell us the date the meeting is booked for.
We take a limited number of projects each month.