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Elis Kostabi
Project manager
3Dstudio.co
3D rendering for real estate developers and housebuilders selling off-plan. One model becomes the aerial, the launch set and the reservation pack, released in programme order.
We only take a limited number of projects each month, so every scene gets top quality.
Architects, developers & interior designers.
Working for 215 companies since 2013.
125 of 220 clients came back.
More than half of our clients have hired us again.
A development consumes images for two years and never needs all of them at once.
The scheme gets modelled once. The aerial goes to the lender, the street view goes to planning, the hero set goes out at launch, the plans and interiors go into the reservation pack, and the panorama goes on the sales-suite wall. One file, released in the order the deal happens.
Ordering that as six separate jobs from three separate suppliers is how a scheme ends up with a hoarding that does not match the brochure, an investor deck a year out of date, and a phase two priced like a first phase. Every one of those images is a different crop of the same building. Built once, they agree with each other, and each one after the first is cheap.
It also changes when you can commission. A massing model good enough to argue a scheme in front of a lender exists long before the drawings are finished, and refining that model into the planning views and then into the launch hero is a continuation rather than three restarts.
Everything downstream of the model: the site aerial, the planning street view, the launch exteriors, the unit interiors, the floor plans and the show-suite panorama. Each is a different crop of one 3D visualization of the scheme, not six separate commissions.
Finance commissions the aerial before the drawings are finished. Marketing commissions the launch set once the facade is agreed. Sales commissions the unit packs once the schedule is fixed. Three teams, three moments, off the same real estate 3D rendering of the scheme.
See what a full launch set looks like in the work below.
Money and permission get decided in the same few months, by two rooms running opposite tests. A lender is asking whether the site works: how many units, where the parking goes, what the phasing does to access and to the sales rate. A committee is asking what the scheme does to the people already living there. One aerial answers both, cropped twice, if it was built to show the site rather than to flatter the building.
Which is why this is the frame worth spending on first. It is the earliest image the scheme needs, it is the one two different rooms will hold up against the drawings, and it is the model everything later gets cut from. Skip it and you end up buying the site twice, once for the deck and again at launch.

Off-plan buyers commit on a kitchen they have never stood in. Until the show apartment is fitted, and on plenty of schemes there is never going to be one, the reservation pack is the product. A buyer reads those images the way nobody reads a marketing shot: looking for their own unit, counting what comes with it, deciding whether to sign. The rate they sign at is what funds phase two.
So the interiors have to follow the specification rather than flatter it. A buyer who saw a render and then sees the flat notices every difference, and a reservation lost at contract stage costs more than the image did.

The scene stays with us after delivery. When the cladding changes at tender, when phase two releases, when marketing wants the same block in summer instead of snow, the model is already built and already lit. The second version costs a fraction of the first and it matches, which is the part a new supplier cannot give you.
The same goes for the long tail. A portal listing wants a different crop from the brochure, print wants a bigger one, a hoarding wants a wider one. Those come off the one scene rather than out of a new quote.

Most developments order these in roughly this sequence, and most start with the first one well before the drawings are signed off.
The aerial and the context model: boundary, neighbours, access, phasing and landscape. What a lender, a committee and a joint venture partner all want to see before anything else.
The approach, the entrance, the courtyard and the amenity, consistent enough that the brochure, the hoarding and the portal listing read as one building rather than six.
A rendered plan and an interior for each type in the schedule, so the reservation pack answers what the buyer is choosing between instead of showing them the block again.
Panoramas for a headset or a browser, panels that survive being printed at wall size, and a short loop for the screen behind the desk.
A scheme rarely arrives as one finished package. This is what we do with it at each stage.
A site, a massing study and a unit count is enough to start. We build the context model first: boundary, neighbours, access and phasing, the aerial a lender or a committee holds up against the numbers.
Once the drawings are fixed the exteriors and street views get built properly, even while cladding and finishes are still being chosen. We flag what is provisional rather than wait for a final spec that is often months away.
The finishes are chosen and the schedule is final. This is where the reservation pack, the unit interiors and the sales-suite panorama get built to the exact specification, because a buyer who has seen the render notices a mismatch at handover.
An Estonian studio working since 2013 across the Nordics, the Baltics, Europe, the UK, the US, Canada and Australia. Comments in the evening, a revised frame by morning.
Unconsented schemes, competition entries and unannounced launches are commercially sensitive. We work under NDA without being asked and never publish a project without permission.
No account-manager layer. Send the files, get a real number, talk to the person building the scene. Fewer hand-offs is why the first preview lands closer to right.
Across a set, or across years of repeat work, the light, materials and camera discipline hold. Ten freelancers cannot do that, and it is visible on page four of a brochure.
None of these are about the render. They are about the studio behind it.
A generalist can turn out an occasional render. A specialist studio holds one visual language across a two-year launch and however many marketing staff turn over in that time.
Splitting the aerial, the interiors and the animation across three suppliers means three separate models of the same building, three invoices, and a hoarding that does not quite match the brochure.
Commissioning the full set on day one prices renders for a design that has not been signed off yet. Phasing the commission with the raise, the submission and the launch means paying for each image once, when the scheme is settled enough to render.

Upload CAD, PDF, Revit or SketchUp files, or a photo of a sketch. We prepare the brief from your files, so there is no questionnaire. You get one fixed project price and a delivery date within 30 minutes.

We build the 3D model without materials and place the camera. The viewpoint, lens, height and time of day are agreed on this grey model, when changes are quick and cheap.

The same view with materials, lighting and surroundings added. You see it early, while the light and the finishes can still be changed easily. 2 revision rounds are included, and we keep refining until you approve.

The approved image, fully finished and delivered in 4K, with larger sizes for print on request and full usage rights. Every further view in the set uses the scene already built, so each extra image costs much less than the first.
Aerials, exteriors, interiors and unit plans from residential developments. Nothing here is published without the developer's permission, which is why some of the best work is not on this page.






Priced per scheme, not per image. This is what actually changes the number, so you can scope your own project before you ask.
One rendered plan and one interior per type in the schedule. Three unit types cost less to visualise than nine, at the same total unit count.
A single block in an empty field is a smaller model than a phased scheme with neighbours and landscaping already in place, and that context model is the cheapest part to reuse afterwards.
A signed-off drawing set is the fastest path to a first preview. Concept-stage drawings still work, they just carry a little more interpretation into that first pass.
An aerial for next month's raise is a different priority to a full launch set six months out. Send the programme with the drawings and the price reflects the order, not just the volume.
What moves the quote, and what to send to get it fast.
Opens the upload form. Send what you have; no sales call.
Most developers send us an incomplete file set and a launch date. That is enough to quote, and it is usually enough to start.
The facades and the street views, when the scheme already has its aerials.
Exterior rendering
Show apartments and amenity spaces, built to the specification you are buying.
Interior rendering
Rendered plans per unit type, furnished, for the reservation pack and the portal.
3D floor plans
A flythrough for the launch, cut from the model the stills already came from.
3D animation
Developers and housebuilders: an aerial for the raise or the full launch set, priced and dated within 30 minutes.
We take a limited number of projects each month.